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Chapter 22
Shadows
of Dark and Light
You know, I believe I've been standing in
the shadow of the door of Death for all of
my life. Always casting glances into the
empty nothingness the room opened up to,
feeling like it beckoned me to enter, to
walk into what might be an endless dark
rest.
At the
same time it's like I've been wanting – from
a hazy site somewhere inside of me, you know,
like beneath everything else – to walk the
other way. As if my soul wanted for me to be
embraced by the Light at the far side of
this other path. In my mind I've fancied a
million times over how it would feel like to
be embraced by the Light; I've seen myself
being freed from all the worries and anguish
I've carried about for as long as I can
remember. Yeah, I've pictured an embrace
kindling alight my soul in such a way it
would make me feel physically elated. Like
flying. I like it when my thoughts wander
off there, and I like to think of an embrace
like that as The Magic Touch of Love. But
I've never dared to truly believe in it
becoming reality, you know, becoming
real-ized. Every time I've felt like was I
close to it, so close I could almost sense
it, I hesitatingly stopped and an obsessive
thought came over me, making me think: "No,
it's dangerous to think like that, the
opposite will sure come about if I stay with
it".
It's
kinda hard to explain this but it's as if a
sense groused with mistrust takes hold of me
whenever I'm starting to feel a little bit
at ease, and, in that feeling, get some sort
of hope the Love-embrace could, after-all,
become reality. It’s a ghastly
mistrust-sense of "believe it'll happen and
you'll be struck down in a never healing
despair ... there's no turning back and rise
again after having been struck down in such
a way." God knows I've tried to stop myself
from thinking the wicked mistrust-thoughts,
I've tried everything to
silence my mind when it takes me over, but
there just is no way.
But,
then again, when I've moved towards The Room
of Emptiness and Endless Dark Rest I've also
stopped a second later and thought: "No, not
that way". Only now, when moving in that
opposite direction, there is no gruesome
sensation taking hold of me. No, it's more
like had the Trossle-Light at the far side
of this other path some curios invisible
tentacles filled with lofty Love and kindled
yearnings able to reach into my very heart,
and this way guiding me in what I believe is
the right direction. Until recently I
couldn't understand what it was stopping me
from entering The Room of Emptiness and
Endless Dark Rest, it didn't make any sense
to me, it didn't give me any kind of clue as
to why I just didn't, you know, just went
there. But on recalling it now I believe
this sensation, what I, in a fatigue attempt
to put into words that which goes way, way
beyond words, something perhaps I could name
the ancient Trosslan, is a love-light
springing out of The Living Heart Herself.
Actually, coming to think of it my friend,
my going this way or the other, is, by
comparison with the power of the loving
light of Trosslan, not worth bothering
myself with even in the slightest. (S)He is
my true mystery.
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Oh, this put me in mind of another peculiar
dream. I didn't take any part in it, I just
watched the vents taking place. The dream
began with a man walking towards a podium to
give a speech. Before he began he looked
around with a gentle and sincere expression
on his face, and asked the audience if
everyone were seated in their right place.
There weren't too many there but the once
who'd come were all very cosy looking and
sat in big fluffy armchairs and couches and
comfy suchlike things. I had the feeling the
amount of listeners didn't count as he was
going to address the "essence" and not the "quantity"
somehow. I can see now, when I'm awake, that
the opening question was a rather odd one to
start out with, but in the dream it felt
highly accurate and proper, like was it
important to begin there.
When
the question was posed the cosy people in
the audience looked around – at each other
and at the other seating places – and
everyone became conscious, and somewhat but
not overwhelmingly surprised, they didn't
sit in her/his right seat.
They all began to move about towards their "home-places",
but as they did so they realized all of
their necklaces (they all had one) were
tangled up in one another, so before they
could move they had to disentangle
themselves. They began doing this and it was
the calmest most soothing thing to behold!
Because they all had their groovy eyes and
precious minds fixed somewhere far away and
deep within when they got about their
entangling business; they had this amazing
gaze of calm, care and love which you can
only find in those who has their gaze
directed inward and wholly focused on the
subject at hand – at the same time.
You see,
they didn't sets their minds in control over
what their hands were doing as they
disentangled their necklaces, it was like
they knew their hands and fingers knew just
what to do on their own sense perception. In
fact, had they tried to control the
disentanglement with their minds this in
itself would have become an obstacle,
obstructing the process. The thought never
crossed their minds though, it was simply an
observation I made from my spectating point
of view.
Slowly,
peacefully, ever so delicately they all sat
there, with a cute curious little smile on
their cute curious little faces, looking
absentmindedly focused into a deep, vast,
mystery space-scape within and beyond,
disentangling themselves. To me, the
beholder, it felt like they were voyaging
that space-scape, as were their souls moving
about there at its own cosily tranquil pace;
like were their souls experiencing itself
and all its wondrous reflections.
Then a
tapestry of wonder filled the sunlit
azure-blue sky above; the grooviest choir of
Trossles appeared, each Trossle smiling her
immensely cute, heart-warming smile and
looking onto the world with eyes filled to
the brim with loving delight, kindness and
soothing happiness. With their gentle,
magically melodious little voices the dainty
Trossle-choir hummed the tune "What child is
this?", making the whole of the air teeming
with the wonder of the song.
Everything about what met my eyes now were
unprecedented awe-inspiring, so immensely
soothing and joyous and enchanting. And
there I awoke, tears of pure, pristine
happiness were running down my face. Oh dear
Lord, I didn't want to wake up! I wanted to
stay in this dream forever! I laid still in
my bed, trying this way to let myself linger
in the dream- feeling, but the present
reality came sailing in on me from all
directions and soon, oh way too soon, all
that remained of this glorious dream was the
distant, shimmering resonance it had
awakened in my heart. Reluctantly I peeked
at the clock: 5.15.
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Funny how it can be, don't you think? Not
long ago I dreamt I was repainting dinosaurs.
Well, it wasn't that long ago, maybe it was
only yesterday? I don’t know, I don't know
anymore. Anywho, as I said, I was repainting
dinosaurs – huge herbivorous dinosaurs – and
I was doing it from the backseat of a car. I
don't remember what colour the dinosaurs had
to begin with, although I seem to recall
something greyish, and I don't remember what
colour I repainted them in, although, again,
I seem to recall some kind of opal, lush
greenish. Be that as it may, I don't believe
the colour was the truly important aspect
here, no, it was the act of repainting in
itself.
Painting their bodies was a draining job to
be sure, but not difficult. The tricky part
was to repaint their heads since they had a
tendency to get a tad bit annoyed with me
being in their faces – literally as well as
figuratively speaking! I was a little scared
doing it, I'll admit to that, but mostly
however I was excited to do it. I told the
driver of the car (I never got to see him)
how to drive as I sat there on the right
side of the backseat, sticking out my brush
through the quarterly opened window and,
when close enough to the dinosaurs heads,
focusing my attention on putting the colour
right. It felt like I was in some kind of
joyous control of the situation as a total,
a childlike joy. At the same time I was well
aware, in a grown up way, that for one I
wasn't the one driving, and that I also had
to take into account the potential as well
as the actual reactions of the dinosaurs.
But I
didn't mind, on the contrary, I liked being
the one giving the driver instructions on
how to drive, and I liked being the one who
held the brush. Even though there was also a
little fear involved, both concerning the
annoyed dinosaurs and what might happen if
they caught some part of me with their jaws,
as well as in relation to the driver – if he
might get angry with me suddenly since the
job took so long. There wasn't anything
scary actually happening in the dream so the
overshadowing sensation became the fun and
inspiring part, of being the one steering
the driver, and being the one holding the
brush.
When I
woke up I wondered if the fact that I was
not in the driver’s seat meant something
positive or negative, like, was it a good
thing or a bad that I wasn't in charge of
the car. After having contemplated the
matter for some time I came to the
conclusion it was a good thing; I was the
one holding the brush, and so someone else
had to be driving, I can't paint inspiringly
and hence correctly if I am to be driving at
the same time. Having reached this
conclusion I smiled to myself and turned
slowly to have a peek at the clock; 6.49 am.
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All the things we're doing
are bound to cast shadows
on our selves, on our lives,
and hence on the world as a whole,
so for the Love of Christ:
Let those shadows be Light!
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